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Posted 23 days ago

Editor/Motion Designer

@ Diamond

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Toronto, Ontario

HybridFull-time3+ years experience
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SIGNALS

Overview

Diamond is hiring a full-time Editor/Motion Designer in Toronto, in a hybrid arrangement, to cut case studies, sizzle reels and digital content and to design and animate motion across formats. The role requires 3+ years of experience and fluency in Adobe Premiere, After Effects, Illustrator and Photoshop.

Responsibilities:

  • Edit case studies, sizzle reels and award entries
  • Edit digital and social content
  • Animate 2D, 3D and kinetic type, explainers
  • Design motion across phone, feed, billboard and transit formats
  • Concept with style frames and boards early

Requirements summary:

  • 3+ years experience in agency, design, in-house or production
  • Strong editorial skills for structuring films
  • Motion skills beyond titles on top of an edit
  • Adobe Premiere, After Effects, Illustrator, Photoshop
  • Typographic judgment and music editing ear
  • Reel showing range across cuts and motion

Tools & skills

Adobe PremiereAdobe After EffectsAdobe IllustratorAdobe Photoshop
Source and dates

Employer career site / ATS feed · bamboohr

Employer posting date
2026-10-14
First seen by our source
2026-10-15
Source record updated
2026-10-15

These dates describe the source record, not a live verification that the employer is still hiring. Check the original posting.

Job details

SeniorityMid level
DepartmentDesign & creative
Experience3+ years
Hours per week40 (estimated)
Travelair: none · ground: none
Work settingOffice
PositionMostly sitting
Physical demandsphysical low · computer high
LanguagesEnglish

Summary and details written by AI from the posting; the employer’s posting is the authority.

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Job description

Editor/Motion Designer

The job:
We make work for UNICEF, TD, Canada Soccer, Pizza Hut, Terry Fox Foundation, Canadian Blood Services, Mattel, Samsung. We make great work. Then someone has to make the film that proves it.

That’s half of this job. The other half is making things move.

You cut and you animate. Equally well. You can build a case study that makes a jury lean in, then turn around and design motion for a feed, a billboard, or a screen in a stadium concourse.

Three streams:
Case studies and sizzle reels. The films that carry our work to juries, to clients, to new business. Story first. Results that land. No three-minute montage set to a stock track.

Brands. Motion for digital, social and OOH. Built for the placement, not resized into it.

Diamond. Our channels, our reel, our own reputation.

What you’ll actually do:

  • Edit case studies, sizzles and award entries. Find the story in the footage, the stats and the press, and cut it tight
  • Edit digital and social content
  • Animate. 2D, 3D, kinetic type, explainers. From scratch or from a brand’s guidelines
  • Design motion that works across formats. Phone, feed, digital billboard, transit screen
  • Concept. Style frames and boards, early, in front of people
  • Work with writers and designers on pacing, hierarchy and narrative
  • Own your files, exports, specs and timelines. Multiple projects, fast environment, no chasing
  • Sit in the room early. Not handed a finished idea and asked to decorate it

What you need:

  • 3+ years experience. Agency, design shop, in-house or production side, we don’t care
  • Real editorial chops. You know how to structure a two-minute film so nobody checks their phone
  • Motion skills that hold up on their own, not just titles on top of an edit
  • Adobe Creative Suite. Premiere, After Effects, Illustrator, Photoshop. Whatever else you bring is a bonus
  • A killer eye, sense of style, and taste in reference
  • Typographic judgment. Most motion work fails on type, not animation
  • An ear. You can cut to music and you know when a track is doing the work for you
  • You know your specs. Formats, transcoding, delivery to vendors and platforms
  • A reel that shows range. Cuts and motion, not one style repeated

How we work:

Hybrid. Our office is in Toronto. We move fast and we’re not stupid about it.

To apply:
Send a reel and your CV. Lead with your best stuff. Show us something you cut and something you animated.
Tell us what you did on each piece. Specifically. We can tell the difference.

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